So my assumption is 'container' refers to the small 1oz peel-top containers used by many coffee shops. If these were pints or half-pints, I would expect them to be described that way. There are also references to Half & Half containers in the logs. Even though not if fluid form, I list these occurrences in the FLUID INTAKE column as the negative impact on her water requirements is still created. On a related note, there are several instances with the package of powder used to make protein drinks is mixed with mashed banana and fed to Lisa. To account for this in the spread-sheet, I listed protein drinks as a negative number that has to be offset by increased water consumption. All recommended adding at least one, or more, 8oz glass of water per protein drink to the recommended eight 8oz glasses of water daily. I contacted several protein drink manufacturers and three local dieticians. One thing I noted was "Protein Drinks/Shakes" were listed as if they were the equivalent to water intake, when in fact, they increase the daily water intake requirement. Since some folks seem to insist dehydration had nothing to do with Lisa's death I decided to plug the fluid intake numbers from the watch logs and police investigation summary into a spread-sheet, and see what they looked like. Note: This is a straight text version of comma-delimited spread sheet information I posted to a.r.s. The physical book itself is a delight to handle-its large format, creamy pages and clarity of printing make the title a must-have for any art aficionado, devotee or enthusiast.Re: Inside Edition Episode on Lisa McPherson I’m doubtful any other painting has been subject to this level of scrutiny, and mercifully this book includes a very great deal of its information without dry statistics or a level of didactics to fly over the head of all but the most academically inclined. From the way Leonardo painted to the materials used, the changing state of the poplar-wood panel and every other detail, it’s all here. This remarkable exposé on the world’s most famous portrait documents every last detail derived from an extensive scientific analysis conducted in October 2004. On reading the book, I wasn’t disappointed. I’m doubtful an As a devotee of Leonardo, when I spotted this book on the shelf at the Art Gallery of NSW shop, I went into a short burst of ecstatic hysterics.
It will be a fascinating read to any reader seriously interested in the technique of painting.moreĪs a devotee of Leonardo, when I spotted this book on the shelf at the Art Gallery of NSW shop, I went into a short burst of ecstatic hysterics. It offers new insight not only into the mind of Leonardo, but into the world of Renaissance painting as well.
This is a step-by-step analysis of how the painting was made, seen through the most exacting scientific eye.
Advances in radiography, optical scanning, infrared reflectography and a number of other new techniques have revealed a wealth of new information about the panel on which the Mona Lisa was painted, the underdrawing and underpainting of the image, the paint surface and the materials that went into each. This book is a report from the front of painting conservation science. Advances in radiography, optical scanning, infrared reflectography and a number of other new techniques have revealed a wealth of new information about the panel on which the Mona Lisa was painted, the underdrawing an Leonardo's Mona Lisa is so well known that we think we have heard everything about it. Leonardo's Mona Lisa is so well known that we think we have heard everything about it.
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